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Godspeed You! Black Emperor: The Return of the Post-Rock Legends with 'Allelujah! Don't Bend! Ascend!
Godspeed You! Black Emperor is a Canadian post-rock band that has been making music since 1994. They are known for their epic instrumental compositions that combine elements of rock, classical, experimental, and drone music. They are also known for their political and social commentary, often expressed through samples, field recordings, and album artwork.
The band went on hiatus in 2003 after releasing their third album, Yanqui U.X.O., which was a critique of the US-led war on terror. They reformed in 2010 and started touring again, playing new material that had been developed during their absence. In 2012, they surprised their fans by releasing their fourth album, 'Allelujah! Don't Bend! Ascend!, without any prior announcement or promotion. The album was sold at their concerts and later through their label, Constellation Records.
'Allelujah! Don't Bend! Ascend! consists of four tracks: two long ones, \"Mladic\" and \"We Drift Like Worried Fire\", and two short ones, \"Their Helicopters Sing\" and \"Strung Like Lights at Thee Printemps Erable\". The long tracks are reworked versions of songs that the band had been playing live since the late 1990s, while the short tracks are new drone pieces. The album was recorded at Hotel2Tango studio in Montreal, with the help of longtime collaborators Thierry Amar, David Bryant, Howard Bilerman, Efrim Menuck, and Mike Moya.
The album received critical acclaim and won the 2013 Polaris Music Prize, a prestigious award for the best Canadian album of the year. Critics praised the band's return to form, their powerful and emotional soundscapes, and their relevance in the contemporary political and social context. Pitchfork gave the album a 9.3 out of 10 rating and called it \"a truly unforgettable experience\". [^3^] The Guardian gave it 5 out of 5 stars and said that \"the Godspeed ethos of wordlessly eliciting universal truths remains as devastatingly effective as ever\". [^2^]
'Allelujah! Don't Bend! Ascend! is a masterpiece of post-rock music that showcases Godspeed You! Black Emperor's unique vision and talent. It is an album that challenges, inspires, and moves the listener with its sonic intensity and beauty. It is an album that deserves to be heard by anyone who appreciates music as an art form and a force for change.
One of the most distinctive features of Godspeed You! Black Emperor's music is their use of samples, often taken from obscure sources such as old documentaries, radio broadcasts, or street recordings. These samples add a layer of narrative and context to the music, creating a sense of urgency and relevance. For example, on 'Allelujah! Don't Bend! Ascend!, the opening track \"Mladic\" begins with a voice saying \"we are trapped in the belly of this horrible machine, and the machine is bleeding to death\", which sets the tone for the rest of the album. The band has said that they use samples as a way of \"bearing witness\" to the world around them, and that they try to avoid being \"exploitative or sensationalist\". [^1^]
Another aspect of Godspeed You! Black Emperor's music that sets them apart from other post-rock bands is their live performance. The band plays sitting down, surrounded by amplifiers and instruments, while projections of film footage are shown on a screen behind them. The projections are curated by their friend Karl Lemieux, who mixes 16mm film loops live on stage. The footage ranges from abstract images to scenes of war, poverty, protest, and natural disasters. The band has said that they see the projections as an integral part of their music, and that they aim to create a \"total experience\" for the audience. [^1^]
Godspeed You! Black Emperor's music has often been described as political, and the band has not shied away from expressing their views on various issues. They have been vocal critics of capitalism, globalization, militarism, and environmental destruction. They have also supported various causes and movements, such as the Quebec student protests of 2012, the Occupy Wall Street movement, and the Greek anti-austerity movement. In 2013, they won the Polaris Music Prize for 'Allelujah! Don't Bend! Ascend!, but they refused to accept the award and donated the prize money to fund music education programs in Quebec prisons. They issued a statement saying that they were \"not interested in music as a springboard for some platform of cultural or personal validation\". [^2^] aa16f39245